Contributors

Karim Othman Hassan

Karim Othman Hassan is a collector, restorer, maker and player of oriental (and sometimes non-oriental) musical instruments.

 

Oudmigrations emerged from conversations between Karim, who became a principal author for the site, and the founder, Rachel Beckles Willson.

 



Tarek Abdallah

Tarek Abdallah.jpgBorn in Banghazi and growing up in Alexandria, Tarek Abdallah is a composer, oud player and musicologist with a special interest in the celebrated era of Egyptian solo oud playing, 1910-1930. He graduated from the Beit al Oud in Cairo, where his teachers included Hazem Shaheen. Through working with a wide range of artists (Said Chraibi, Abdou Dagher and Dariush Talai among others), he has developed his work in several interconnected traditions. He currently lives in Marseille and is developing his doctoral research at the University Lumière Lyon 2, focusing on 20th-century oud virtuosity. His 2015 duo album with Adel Shams El Din (Buda Musique) “Walsa, Egyptian musical suites” was awarded “Top Mezzo” of Mezzo Classic-Jazz TV, Songlines Best Album, and “Bravos” in Trad Magazine.

 

Cihat Arinc

Cihat Arinc 2Cihat Arinc is a writer, film critic and independent researcher, working at the intersection of film, memory and history. He holds a PhD from the Department of Visual Cultures at Goldsmiths College, University of London, where he wrote his dissertation about the politics of postcolonial memory in new Turkish cinema. Before moving to London to pursue doctoral studies, Arinc completed an MA degree in philosophy at Boğaziçi University in Istanbul and a BA degree in film studies at Istanbul University. He has published chapters in several books, including Directory of World Cinema: Turkey (London: Intellect Books, 2013), World Film Locations: Istanbul(Bristol: Intellect Books, 2011), and The Curatorial: A Philosophy of Curating (London: Bloomsbury Academic, 2013). He has also contributed to art projects and exhibitions in art institutions such as The Prince’s School of Traditional Arts (UK), Serpentine Gallery (UK), Iniva – Institute of International Visual Arts (UK), The Showroom Gallery (UK), Wyspa Institute of Art (Poland), and Vehbi Koç Foundation, Arter Gallery (Turkey).

 

Gabriel Lavin

Gabriel LavinGabriel Lavin is an American oud player, guitarist, and composer. He is currently a doctoral student in the Department of Ethnomusicology at the University of California, Los Angeles. Before moving to California, he spent almost three and a half years traveling, performing, and studying Arabic throughout the MENA region, including in Morocco, Egypt, Sudan, Oman, and Kuwait. In Oman, he was an IIE Fulbright student scholar studying and performing with the Oud Hobbyists Association in Muscat. His current research focuses on the Indian Ocean and unpacking historical networks between East Africa, the Middle East, and South Asia, using music as a lens for the study of cultural connections across maritime space.

Salvatore Morra

Salva photoSalvatore Morra is a musician and researcher with a particular interest in the Tunisian ʻūd. He trained originally as a guitarist and performed for many years as a solo and chamber music player. Salvatore encountered theʻūd  in a concert in Tunis while a student of oriental languages in 2007; one year later he discovered the Tunisian ʻūd  at the museum of musical instruments in the Center of Arab and Mediterranean Music (Ennejma Ezzahra) in Sidi Bou Said. He studied Arab music with Selmi Mongi (2007-2010) and Kamel Gharbi in Tunis (2011-2013). He holds a degree in language and culture (Arabic/English) from the University “L’Orientale” of Naples and a MMus from the University of Cambridge. He is currently pursuing a doctorate at Royal Holloway, University of London, researching the cultural and social meanings of the Tunisian ʻūd in local and global contexts. His publications include Liuto Magico (Iuppiter Edizioni 2011).

 

Christian Moser

Christian Moser

Christian Moser studied oud and classical Turkish music at I.TÜ. conservatory in Istanbul, specializing in 18th and 19th century Ottoman music and improvisation.
He lives in Switzerland and works as a musician, composing and playing for both contemporary and traditional music.

 

Ahmad Al Salhi

Ahmad 1Ahmad Alsalhi is a musician, researcher and collector, with a special interest in the Kuwait genre saut, on which he focused his doctoral research at Royal Holloway, University of London. He is also a specialist in the classical Arabic violin style of the Egyptian Sami El Shawwa, and from 2003 to 2008, taught at the Institute of Middle Eastern music in Kuwait city. Ahmad is also the co founder of the classical oriental music website www.zeryab.com, which contains rare Arabic and Turkish recordings of the late 19th and early 20th century. He owns some of the oldest, rarest and finest antique violins and ouds dating back to the 1880s. Ahmad is currently Head of Orchestra in Jaber al-Ahmad Cultural Centre, the opera house of Kuwait. His publications include Sami al-Shawa, his life and music (book in Arabic, also CD), and a number of articles in English and Arabic. He performs regularly with Oxford Maqam.

 

Jonathan Shannon

Jonathan ShannonJonathan Shannon is a cultural anthropologist who specializes in aesthetics, musical performance, and cultural politics in the Arab world and Mediterranean. He has conducted ethnographic field research in Syria, Morocco, Spain, and France and is the recipient of numerous grants and awards, including from SSRC, Fulbright-Hays. Professor Shannon was a Fellow of the John Simon Guggenheim Memorial Foundation in 2008-2009. He has been teaching at Hunter College since 2001. His publications include Among the Jasmine Trees: Music and Modernity in Contemporary Syria (2009), A Wintry Day in Damascus (2012) and Performing Al-Andalus: Music and Nostalgia Across the Mediterranean (2015).

 

Martin Stokes

Martin Stokes 2Martin Stokes is an ethnomusicologist and King Edward Professor of Music at King’s College London. To date his research has focused on music in modern Turkey and Egypt, with broader interests across the Mediterranean and Europe. He is particularly interested in questions of ethnicity, identity, globalization and the history of ethnomusicology and folk music study. His books include The Arabesk Debate: Music and Musicians in Modern Turkey (Oxford 1992) and The Republic of Love: Cultural Intimacy in Turkish Popular Music (Chicago 2010). Martin is also a performer on the qanun, and a member of Oxford Maqam.